Tuesday, May 5, 2009

Orphans & Vandals: I Am Alive and You Are Dead

And there it is, that feeling of discovery, of genius borne, genius devouring the fuse of its namelessness. Music has its geniuses, of course, most of whom are dead or lost it eons ago. I can't recall being alive for an explosion like Al Joshua, the creative force behind Orphans & Vandals. Maybe it's his urgency, his honesty, his sexuality . . . whatever his stuffing is made of, the musical result is daggers scalding, impaling you with the gloriously ugly series of events that is Life. It's chaotic, offensive, feverish, addictive. It's pretentious. It's affected. That's the only way it could be so blisteringly real.

5/5 - Easily one of the best albums of the year so far.






www.myspace.com/orphansandvandals

Friday, March 20, 2009

A Busy Week


And a good one during which to resurrect this bloodless music blog. Monday saw Hatcham Social delivering - finally - their debut album after two years of demos, singles and EPs.

For those present during the long pre-album build-up, only six of 11 songs will be new. Even so, You Dig the Tunnel, I'll Hide the Soil is a brilliant record. An almost-perfect pop record, styled with the same dirty jangle of guitars as Josef K, spiced with the cheek and whimsy of Lewis Carroll. They did rework a few old songs, most notably "Superman", currently (and perhaps forever) my favorite track from the album. Other old songs were left as-is, which worked wonderfully on the former b-side "Penelope (Under My Hat)", but not so-well with their second single "So So Happy Making". Not that it's a bad song, by any means. But it feels out-of-place here. A bit tinny and washed-out compared to the glowing saturation of the rest of the album. I can't help but wonder why they chose not to rework that one . . .

Besides that, however, You Dig the Tunnel is solid. And, frankly, that is just a minor aesthetic-continuity misstep that most people will either not care about or not even notice. The song itself is still catchy as hell. So the entire album is, as well. These songs tie together elegantly, creating the illusion of a shorter running time than the already-short 35 minutes. No doubt that will ensure repeat listens.

And on Tuesday morning, promptly at 12 am, the Horrors ended the count-down on their website with a video of the lead single from their upcoming album, Primary Colours. As suspected, their sound has evolved from the garage-punk of their debut. I never would have guessed the staggering extent of the evolution, however. The intro to "Sea Within A Sea" begins dark and lurching, the outro makes me remember fondly the flying dog-dragon of The Neverending Story, and somewhere in the middle Faris sings. No really, no growling at all. It's definitely better than my description makes it sound. Check it out for yourself:



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Get "Sea Within A Sea" free by signing up for their mailing list at www.thehorrors.co.uk (click on "The Horrors" in the bottom right corner).